2022 · ★★★½
It’s been documented how hard it is for artists to follow-up a masterpiece, but that wasn’t a problem for Natalie Mering. This record still lives in the movie-like world of Titanic Rising. Yes, it still delivers those hazy/silky tunes, it’s just no a novelty anymore. Nevertheless one of my favorite albums of the year. I’m curious on where Weyes Blood go from here.
